Andy Hunter - On Automatic
After releasing three successful electronica albums, having his tracks featured in a number of popular movies and TV shows, developing a worldwide audience and even helping to score a film, you might think that Andy Hunter would have no trouble getting enough support to make another album. This was not the case, however, and the creation of his latest EP, “With Nettwerk, it was just a question of funding with this new record,” Hunter says about his decision to go solo on this effort, rather than with Nettwerk Music Group, the company which helped with his previous releases. “It kind of made sense, being brutally honest, with the funding they were offering, that I could do it myself and own all the rights and masters.” “I wanted to put this release out by myself, just to kind of test the waters, but also realizing that some of my fan base had been waiting a while for some new music,” he explains. “So it’s just really specifically aimed at the fan base instead of being a big release. I wanted to get something out for people who were waiting. So if this release goes well then there’s no reason why I can’t keep on doing it this way, and I think hopefully I’ll get material out there a lot quicker than I would by being in The Big Machine.” “On this record I’ve done everything myself,” Hunter says. “On my other releases I worked with other producers and I’ve worked with strings and quartets and had a budget. This one was really a test though: Can I do it all by myself? Even when it came to mixing and mastering the record, I’ve done everything.” “We did a Collide artwork competition mainly through Facebook,” he says, explaining how the artwork for the EP was selected. “I sent out a newsletter to people who’ve signed up to my fan base of course, but it was mainly all done through Facebook. I got a lot of feedback posting the designs there, and that was just fantastic. Loved it.” After experimenting with more traditional song structures and vocalists with his third release, Colour, Collide is something of a return to the video game-like energy of his first two releases, Exodus and Life. The songs were written primarily while out on the road, and have been road-tested in shows across the world, so they have the feel of being tailor-made songs for the club scene.Uk Cd Colour Developing - News
“With these tracks,” Hunter begins, “I didn't come at them specifically from the angle of 'I'm writing this for my new album,' or 'I'm writing this for a new EP.' It was very much show-driven rather than thinking this is gonna be an album, which Colour
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Multimedia receivers are developed so they can be used in automobiles to provide infotainment. Navigation receivers is essentially all the useful features with DVD playback and GPS guidance.
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